“What we play is life. » Brothers Armstrong, Louis and Thomas David. Louis Armstrong in his own words: selected writings. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Change is inevitable. We grow and improve as we see fit. Without change, there is no innovation, no creativity and no room for improvement. You can choose to resist it or adapt to it. However, the goal remains the same. Music is an outlet for emotion. It tells a story. It nourishes the soul. It releases anger, sadness and happiness. Music is an expression of self. Jazz is self-expression. Jazz has evolved as a genre over time. However, even though jazz has evolved considerably since its creation at the end of the 19th century, its objective has remained the same: to transmit. The purpose of music will never change. It’s a means of self-expression, and it will stay that way. That's the beauty of music. It doesn't change, it evolves. The genre has only found new ways to express itself. Jazz is a musical genre developed by African Americans and influenced by both European harmonic structure and African rhythmic complexity. Although jazz was born in New Orleans almost 100 years ago, its roots lie in the musical traditions of African and European cultures. Coming from African culture, jazz demonstrated its expressive character. Jazz has found its soul and its reason for being. It has become a genre created by souls who have something to say. It was a means of expression. He found his rhythm and made the genre an extension of the voice. In European culture, jazz found its sophistication and class. These architects had something to say, and in European culture, they found their way to say it. Jazz has found its harmony. Most of the instruments present in jazz music originate from Europe: saxophone, piano, trumpet, etc. Jazz found the elements of harmony, rhythm and melody from two cultures and combined them. He moved from vocals to songs by evolving and merging. Every musical element – ​​rhythm, harmony, melody, timbre and basic forms of jazz – is essentially African in its origin and derivation. In Schuller's analytical book, his conclusions about jazz and its African roots are based on the writings of ethnomusicologist Arthur Morris Jones. African music has been found to be polymetric and polyrhythmic, meaning that it features two or more meters and independent rhythms simultaneously. In contrast, European music has been found to be primarily monomeric and monorhythmic, meaning that it features one meter and one rhythm at a time. It is believed that African slaves adjusted and adapted their form of jazz to the higher European style of music, translating their polymetric and polyrhythmic points into a more monomer and monorhythmic structure. This led to the emergence of popular jazz music in New Orleans in the late 19th century. Over time, jazz has become a unique part of New Orleans history and culture. This is a distinctive root from the colonial period, which has proven useful in understanding the complex circumstances that led to the development of New Orleans "jazz." By 1721, West African slaves made up 30 percent of New Orleans' population, and by the late 1700s, people of varying African ancestry, both free and enslaved, made up more than half of the city's population. city. During the 19th century, many immigrants – European and African –flooded into the state. New Orleans has become a hotspot for unique elements, rich in cultural diversity; ultimately leading to the union of the African and European elements of jazz that we know today. The rich ethnic and cultural composition paved the way for the development and evolution of the genre. Distinctive traditions and unique outlooks on life intertwined and spread throughout New Orleans jazz. New Orleans jazz began to spread to other cities like wildfire. Jelly Roll Morton, innovative piano stylist, and composer began his odyssey outside of New Orleans as early as 1907. Morton made a series of influential recordings while based in Chicago, which established a form of structure and sophistication to be explored by other soloists. In 1917, the Original Dixieland Jazz Band made the first commercial jazz recording while playing in New York. Suddenly, jazz – New Orleans style – became a national craze. The most significant departure from New Orleans occurred in 1922 when Louis Armstrong was summoned to Chicago by King Oliver, his future mentor. The 12-bar blues composition, West End Blues by Louis Armstrong and His Hot Five, contributed to the transformation of jazz. The song included many new elements, such as scat singing, which the Hot Five were among the first to debut. West End Blues encompassed two genres with solo instruments combined with an expressive vocal style. The delivery was harsh and beautiful, while Armstrong's cadence encompassed the rage and soul of the trumpet. During this 12-15 second cadence, Armstrong became the king of soloists. The song became music of great power and emotional depth. It encompassed the beauty, elegance and sophistication of jazz. West End Blues, like many others, became one of many bridges connecting different types of jazz. New Orleans musicians and musical styles continued to influence jazz nationally and rapidly, and jazz continued to evolve and undergo rapid stylistic changes. Jazz became the undisputed popular music of America during the 1930s and 1940s. Jazz became popular in Chicago in the late 19th century. Jazz in Chicago was a mixture of the "Dixieland" style of the Mississippi Delta and New Orleans with the music's inventors King Oliver, Jelly Roll Morton and Louis Armstrong. This music played an important role in broader cultural changes during the era and also had an impact on pop culture that continued long afterward. Chicago was a jazz mecca that provided endless opportunities for aspiring musicians. Jazz was played mainly in small clubs in the south of the city. This evolved jazz style featured elements of strict structure and rhythm, as well as heavy bass and stringed guitar. Longer solos and a fast tempo gave Chicago a unique and special branch of jazz music, and in doing so the foundations of swing music were laid. A decline in popularity occurred in Chicago, and New York became the epicenter of jazz music. New York has become the American capital of jazz. Artists Duke Ellington and Louis Armstrong played essential roles in establishing jazz in New York. The excitement of the Big Apple has brought a variety of venues in which to perform. New York was known as the center of the jazz world in the early 1940s. With the end of Prohibition, New York became the ideal place to see and be seen as both musicians and fans of jazz. Many visitors began to include movie stars and, 1986.