Measure for Measure, by William Shakespeare, offers less freedom and control to independent women than other existing Shakespearean plays. Unlike other plays, the function of marriage is not necessarily a very clear punishment or reward. Union with a higher power depends on individual qualities and specific situations that cannot be classified as solely comedy or tragedy. The explanation of “Measure again for measure” (IV.i.414) focuses on punishments and retribution as well as obedience to transferred power. The Duke's reign shaped an atmosphere in Vienna full of indulgence and widespread contempt for the law. The Duke wants there to be more order in Vienna but does not know how to achieve this himself, which is why he has called on Angelo to resume his rule. Claudio's subsequent conviction will serve as an example to change the course of the kingdom. Characters can be divided into groups based on their views on fornication and other sexual behavior considered offensive by the new leader. Isabella illustrates the conflict between hedonism and religion. Isabella presents one end of the spectrum: completely abstaining from sexual activity in order to become a nun, while Mistress Overdone represents the other end: running the prostitution business in the back streets of Vienna. Isabelle seeks to retreat from these sins of “ordinary people” by attempting to join the safe and pure environment of a convent. Lucio removes her from this “shelter,” making her vulnerable to the sins of others. Isabelle must question her values ​​of acceptability and propriety, cling emotionally to her chastity when asked, and decide whether or not to marry, never to return to the convent... middle of paper. .... .in accordance with the reason why it is legal for the act to take place. The relationship between Claudio and Juliet parallels Angelo and Mariana's marriage contract with the will of both parties. However, Angelo is unaware of the change and so only one person consents. Perhaps the Duke is justifying the legalities by "deceiving" Angelo in order to advance his strategy. At the end of the play, the Duke remains in disguise to continually manipulate his subjects while making them believe that they are acting of their own free will. This manipulation also serves as a test of their dedication to their positions. When the Duke asks Isabelle to marry him, she is not given the opportunity to respond verbally. This final situation will highlight the transfer of power towards the Duke with loss of his sexual independence, or towards God and his eternal soul..