Table of contentsIntroductionLyricsMusic compositionProduction techniquesConclusionIntroductionDuring a ten-year career (1960-1970), the Beatles managed to influence and change the music of the world in which we live let's live today. They were pioneers in building a bridge between post-production and live recorded music, while developing creative, artistic and in-depth musical ideas that also led to crossing borders and cultures in the 1960s The Beatles known as the Fab Four were Paul McCartney, John Lennon, George Harrison and Ringo Starr. In August 1965, The Beatles played Shea Stadium for the first time and introduced Arena Rock to the world. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"? Get an original essay In addition to their brash personalities, celebrity and dynamic energy, their music has led to several chart-topping titles, to massive tours, creating a huge sensation. Beatlemania was introduced, and because of the hysteria and fame, whatever the Beatles did, the world was able to follow. This essay will examine how the Beatles influenced popular music by examining their lyric writing, songwriting, mixing of styles, innovative studio techniques, and use of the studio as an instrument. The members were constantly establishing their own style, each contributing uniquely to The Beatles' repertoire. Ringo supported the Beatles with a percussive foundation for their music that was both harsh and imaginative. With his Ludwig Super-classic set, he provided the classic groove with primarily articulation of strong beats on the bass drum and backbeats on the snare, making extensive use of crashes and cymbals, reserved for articulating structural points of a song. Fully immersed in the contemporary art scene, McCartney's Hofner bass and violin parts would provide a distinctive visual image, adding direction to the song's journey, often blending with unique chords to color the music. Lennon had to fill up on lyrics and rhythm guitar. Harrison, also known as the Silent Beatle, provided lead guitars, sometimes vocal harmonies, for the group. It would also merge the oriental flavor with the spirituality of the group continued in the music of the second half of its career. Producer and sound engineer George Martin and Geoff Emerick also played key roles in the development of the Beatles, integrating studio technology into pop music. Lyrics With the core songwriting team of Lennon and McCartney, they created a vast library of lyrical stories. Often whimsical and dreamy, the songs were written on a spectrum from love to autobiographies to world peace and revolution. John's ideas were often songs about personal experiences, sex, pain, politics or peace. He frequently wrote in the first person with a satirical/cynical sense of humor and loved puns. McCartney, on the other hand, was more often in the 3rd person and fictional. He wrote more story songs and songs about love, generally being more optimistic. They were generally more grandiose and dramatic while Lennon's were more witty and acerbic. (Hartzog) This helped achieve a good balance by bringing together their differences and ideas. Some songs also had to be written in a surreal and theatrical way. Like “I am the Walrus” with Lennon making up phrases topsychedelic influences like "Sitting on a cornflake, waiting for a van to arrive" and "Cream with yellow stuff, dripping from the eye of a dead dog". "Come Together" started the song with a play on words like "Here comes the old flat top, he's coming slow, he's got joo joo eyeballs". Through their music, the Beatles also shared little pieces of wisdom: Money Can't Buy Your Love, Beware the Taxman, Think for Yourself, Revolution, and Keep Your Bathroom Window Closed. In "Blackbird" for The White Album (1968), McCartney directly twisted the meaning of the song to talk about the civil rights of black Americans fighting for equality in the world, particularly women. Blackbird would eventually attract mass media YouTubers and several musicians like Herbie Hancock, Corinne Bailey Rae, Dave Grohl and Bobby McFerrin performing it. Overall, The Beatles wrote stories and looked at the world around them, striving to create a better one. Musical CompositionIncorporating strange time signatures and strange melodic phrases, the Beatles experimented with new music and often converged the styles of their influences. In 1965, when Rubber Soul was written, it had a very "Motown flavor, with a 'feel' inspired by Motown bassist James Jamerson", as McCartney described it. Having a Motown style as the main groove of the album, Rubber Soul also incorporated a mixture of musical styles with soul, oriental and folk music. New instrumentation was also prominent in the album and instruments such as sitar, harmonium and fuzz bass were introduced. The sitar was used extensively in "Norwegian Wood", playing lead lines in the song's melody. The song marked the first instance of a rock band playing the sitar or any other Indian instrument on one of their recordings. Along with the addition of the sitar in several later Beatles albums, it was instrumental in the development of raga rock and psychedelic rock in the mid-1960s, helping Ravi Shankar and Indian classical music gain popularity in the West. In the 1964 song "I Feel Fine," feedback on the guitar was one of the first appearances in popular music. In Revolver (1966), The Beatles blossomed with new creative magic, directly using the studio as an instrument, which will be discussed in the paragraphs on studio production, adding a mystifying mix of unusual sounds and instruments. Producer George Martin was also known for inserting motifs and ideas from classical music into the album. In 1967, they decided to write solely as members of “Sgt. Peppers' Lonely Heart Club Band", an alter ego created by them. This would then be known as one of the first "concept albums", introducing a new method of composition for future artists. The alter ego group would give them the freedom to experiment musically. With musical styles such as vaudeville, circus, music hall, avant-garde, and Indian classical music, the Beatles bent/broken genre boundaries, adding psychedelia to their repertoire. Another example of artistic fusion is when the Beatles included photographs of people from the world of arts, politics, science, philosophy, and athletes on the legendary album cover. They included the likes of Bob Dylan, Oscar Wilde, Marilyn Monroe, Fred Astaire, Karl Marx and Hindu guru Sri Paramahansa Yogananda. Dedicated to the film's soundtrack, the Beatles presented their ninth studio album Magical Mystery Tour (November 1967), with 6.