"To His Royal Highness the Prince Regent, this work is, with the permission of His Royal Highness, most respectfully dedicated by the humble devoted servant and obedient to His Royal Highness, the author" (Austen, Emma ii). Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay The above is the dedication of Jane Austen's 1815 novel, Emma, ​​to the Prince of Wales, at his humble suggestion. While Austen criticized the prince's lifestyle, she fulfilled his wishes by artfully weaving in Emma's superfluous satirical engagement with him (Austen's “Letter”). This example is quite indicative of Austen's writing style: subtle and witty, as well as her opinion of high society: superficial. Applying these statements to Austen's novel Sense and Sensibility, one can draw an entirely new appreciation for the portrayal of her character, particularly Marianne Dashwood, Mrs. Sensibility. Austen depicts a world in which the rich become slightly less rich and all happiness lies in a man's arm. Perhaps ironically, Austen uses very few, relatively undeveloped male characters to define her two main characters: Elinor and Marianne Dashwood. The women's interaction with these men at different times intensifies their satirical and almost unbelievable bifurcation as unwavering sense and sensitivity. The 1995 film version of the same title, directed by Ang Lee, had the task of making Elinor and Marianne appealing to a twentieth century. - an audience of the century, for whom Austen's subtlety may have been lost. Interestingly, screenwriter Emma Thompson chose to alter the behavior of male characters such as Colonel Brandon, in an attempt to redefine the sisters for modern times; thus, softening their intensity and making them accessible. This article will examine how the novel's portrayal of Colonel Brandon forces Marianne to appear forever tormented by Willoughby and to seek out Colonel Brandon as a last resort. While, in the film, Colonel Brandon is presented in such a way that he allows the viewer to believe that Marianne truly loves him, this adds depth to his character and develops him beyond mere emotional sensitivity. In the novel, Colonel Brandon is a last resort. so that Marianne does not become single. Marianne, in a sense, has no choice but to marry him once all hope for Willoughby is extinguished and she recovers from a perilous illness. It is debatable whether or not this was Austen's intention, but she develops Colonel Brandon in such a way that makes him unappealing as an unappealing marriage choice for Marianne. When Marianne first meets the Colonel, she finds him "a complete old bachelor, on the wrong side of five-thirty...[with] a face [that] was not handsome" (Austen Sense 32). In reference to the fact that the colonel is in love with Marianne, she tells her mother: “he is old enough to be my father; and if he was ever animated to be in love, he must have long survived all the sensations of the times. » (35). Marianne then describes the colonel as “crippled” (35). Throughout the rest of the novel, Marianne loves Willoughby deeply and passionately, and Colonel Brandon is only peripheral. Therefore, when, in the very last chapter, Austen tells us that Marianne married the Colonel, it is far from romantic. Furthermore, Austen juxtaposes marriage as an alternative to the worst situations in life. His first choice was to lament to Willoughby: "Instead of sacrificing himself to, 2000.